Since ancient times, a tribe on the African continent has been prophesying that a white boy will arrive to be their god: the Son of the Moon. David, a 12-year-old orphan who lives in Europe, learns about the prophecy and believes that he is the chosen child and that destiny must be fulfilled at any cost. Before David can fulfill his prophecy he must escape the heavily guarded scientific organization that has adopted him. David's strange behavior and the fact that he possesses extrasensory perception, has attracted the attention of an organization researching so-called "prodigious beings" in the occult tradition. David soon discovers that their goal is to channel the moon's energy into a child yet to be born, robbing him of his rightful place as the Son of the Moon. Two women, Victoria, a member of the center, and Georgina, the future mother of the supposed moonchild, will help David fulfill his destiny. After several attempts David manages to escape the center and undergoes a series of new experiences: love, adventure, supernatural events and even death. David is relentlessly pursued, pushing him further towards his goal, towards Africa where his fate awaits him.
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玻璃笼的导演和男主
20/2/23
自古以来,非洲大陆上的一个部落就预言,一个白人男孩将成为他们的上帝:月亮之子。
「神秘主义」/「自然主义」自然都需要有一个极权的反派,当孩子开始逃离时其背后的隐喻不言而喻,不过就如同「月亮的孩子」这种含糊不清又相当讨巧的主题,形式主义和内容上的苍白让整个故事显得苍白与失真不少。
非常有想像力,富有深意的童话;导演技术也很好;"I'll wait for the firein the sky, too"……
收发前半段有点圣山的感觉后半段拖沓了。冷色调满奇幻的
拉丁风格的奇幻寓言,少年逃离极权和科技的统治,在原始文明中降临为月亮之子。文本指向对现代性的反思,又表现对自然状态的超越,旨趣深邃,遗憾的是视听表现力较为薄弱。
真人+男性+死屌丝版代表月亮消灭你
开始是恐怖片,后来是悬疑片,到人是否会出生两次发现是超现实主义。从“人是否会出生两次”隐隐感觉是在探讨生命本身,但表述的隐晦且不足。非洲的宗教仪式和对月亮的崇拜都渗透着自然崇拜的痕迹。孤儿院的部分有宗教献祭的意味,在叙事上有帮助。主旨的不明除了观众理解不到,也可能是本身表述不明
(2:00:17)
我不懂怎么打分,因为我不懂
我擦……其實沒那麼奇幻麼¬ ¬
或许更适合一种关注单元。
异教元素和Lisa Gerrard年轻的肉体orz
异教的元素是支持我看完的唯一理由。。。
magnet:?xt=urn:btih:98e78f7ec3196c2d49929a79e4cade7b39862c3c&dn=Moon.Child.1989.SPANISH.1080p.BluRay.x264.DTS-FGT
小时候在电视上看过,最后月之子们叠罗汉赌水坝的镜头让我激动过好久,想找来重看...
没拍好。希望实现了对编导的价值。
已收
其实最让人困惑之处在于小男孩为什么一定要再次出生?难道仅仅是因为奶奶告诉他月光赐予他力量,并相信自己获得了超能力吗?其实他也只不过刚好偷听到院长的对话,他们计划培养出一个月孩,小男孩联想到关于月光的传说,就很自然地把两者联系到一起。至少,他在想象中找到了自己的“亲生父母”,而第二次出生,对于自己来说才有意义。这么想,那这部电影就是一个关于童年幻想的浪漫主义故事。但是如果用拉康的回归充盈状态(母体)的不可能/可能(奇幻)来解释,会更有说服力。从象征界通过想像界回到实在界,寻回那个失落的客体。