Harry Moseby (Gene Hackman), a worn-out private detective, is hired to look for a 16-year-old girl who has run away from the luxury home of her mother, formerly a small-time actress in Los Angeles. The more the weary cynic tries to get under the surface of the seemingly simple case, the harder it is for him to find his bearings among the lies and deceptions that surround him. Eight years after the key New Hollywood film Bonnie and Clyde, Arthur Penn and Gene Hackman reunited to collaborate on what was to become one of the most undervalued films of the decade. Like Polanski in Chinatown or Altman in The Long Goodbye, in his revisionist film noir, Penn also allows the 1940s classic genre to pervade the complex reality of the 1970s. The feelings of bitterness and emptiness in the modern Chandleresque protagonist originate not only in the “public” sphere of the strange, increasingly convoluted case, but in his private life as well (boyhood trauma, a broken marriage). As Moseby remarks of a sporting event, “nobody’s winning … one side is just losing slower than the other.”
小草影院韩国电影神马影院光棍影院星空影院北京青年少年犯 1985版约翰尼与克莱德酷妹辣皇后小凯撒古寨警情飞贼白菊花灵欲的乐章大发007之雷霆谷逆时营救2017无心法师3闪电2022英雄烈约会规则第三季我本英雄东海龙棺浪客扳手侠都市侠盗第一季奈何寨主不好当滚蛋吧!肿瘤君(泰国版)